Reporter's Notebook

steinerfrommars:

Amazing Marcos

charactermodel:

Dr Strange by Marcos Martin [ Doctor Strange: The Oath ]

Oh sure, his character is fantastic and all, but Marcos Martin is best when he composes a page. He’s an underrated master storyteller.

(via supervillain)

themarvelageofcomics:

A page from the Doctor Strange story in STRANGE TALES #129 by Steve Ditko.

Ditko’s Dr. Strange is one of my favorite comics. Check out that first panel, the way Ditko is able to convey so much about Doc’s character in the body language. His line work is so dynamic that you can actually feel the movement of Doc’s stride on the page. 

themarvelageofcomics:

Splash page from DAREDEVIL #6 by Wally Wood. I have no idea why the note at the top asks:

LETTERER: DON’T PUT IN DIALOGUE BALLOON POINTERS, PLEASE!

as there’s no dialogue balloons on this page. Could be that Wood turned this story in just broken down, and Stan wanted to be able to adjust and fine-tune the balloon tail placement once Wood had finished the drawings in ink.

mckelvie:

Emma Frost | The White Queen.

A quick design, but the thinking behind it was: if she’s called The White Queen, why shouldn’t her costume be connected to that? With that in mind, I looked up a couple of Elizabethan outfits and went from there, while trying to keep it true to her origins as a member of the Hellfire Club.

oxane:

Mati Klarwein, Blessing (1965)

(via mercurialblonde)

(via Strange Forgotten Space Station Concepts That Never Flew | Wired Science | Wired.com)

heyoscarwilde:

Movie Vehicles

illustration by Damien Weighill :: via libraryshop.bigcartel.com

Yes, I will be spending the rest of my evening identifying these vehicles. Why do you ask?

theairtightgarage:

“The difference between the slain in an American Western (top) and an Italian Western (bottom). (from ‘Pilote’, 1962)”

(via nerdinlove)

(via nerdinlove)